Stepping into the hotel lobby, the reception desk greets visitors like a hovering inkstone - its Zhanghe sandstone top layered over a walnut wood base evokes mist-clad mountain contours. Drawing inspiration from Chu-style bronze motifs, Harman Furniture adorns the metallic accents beneath the counter with abstract fretwork patterns. Where light and shadow interplay, millennia of Jing-Chu civilization harmonizes with modern minimalist aesthetics. To the right, the cloud-patterned modular sofa set in the lounge area juxtaposes industrial edge through charcoal fabric and metal framing, while its armrest carvings revive lacquerware techniques of the Warring States period. Every contour whispers the lingering resonance of ancient chime bells.

Lobby Reception Desk — Sandstone Texture & Relief Carving Details (Close-up)

Panoramic View of the Lounge Sofa Set

Upon entering the guestroom, the open wardrobe adopts a tripartite "conceal-hang-store" zoning system, optimizing spatial efficiency. The Zhanghe River landscape lacquer painting on the headboard wall transitions seamlessly into tonal bedding through gradient hues. The accompanying nightstand harbors a hidden innovation - a pull-out tea tray stocked with Jingmen green tea and bespoke tea ware. Blending the warmth of walnut wood, the industrial allure of bronze metalwork, and the cultural storytelling of Jing-Chu motifs, the room transcends modern hospitality functionality to become a microcosm of curated heritage.

The minibar combines linear and curvilinear geometries, with gently curved edges softening angular rigidity while echoing the fluid linear aesthetics of Jing-Chu lacquerware.

Nightstand Tea Tray Close-up (Highlighting pull-out mechanism and ice-jian-inspired design)